____________________________________________________________________________________ Ela não vai mais chorar
(She's not cryin anymore) - Composer: Billy Ray Cyrus
____________________________________________________________________________________ Save a horse, ride a cowboy = Composer(s),
autor(es)=John Rich, Kenny
Alphin ____________________________________________________________________________________
Barretesão = Composer(s), autor(es)= DR ____________________________________________________________________________________
Na sola da bota = Composer(s),
autor(es)=Chico Amado ____________________________________________________________________________________8 segundos = Composer(s),
autor(es)=Djalma Dias e Junior Martins
fama.globo.com/Fama/0,6993,FTR1-4623-275-436,00.html ____________________________________________________________________________________Clima de rodeio = Composer(s),
autor(es)=Marcelo Kju
http://dallas-company.letras.terra.com.br/letras/64671/ ____________________________________________________________________________________ Nascemos pra cantar= Composer(s), autor(es)=Danny Moore / Versão:
Xororó & Chitãozinho
http://cifraclub.terra.com.br/cifras/chitaozinho-e-xororo/nascemos-pra-cantar-kgkw.html ____________________________________________________________________________________
Oh Suzanna Composer(s), autor(es)= Stephen Foster
( 1826-1864 ) Domínio
público (public domain)
Letra em português (lyrics in portuguese) = Maestro Ney
gravada também por (also
recorded by) = Connie Francis, Bob Nelson, etc
Stephen
Collins Foster (July 4, 1826 - January 13, 1864) "Oh, Susanna,"
popular among pioneers heading west (California) during the gold
rush of 1849. Considered by many as the father of folk
singers-songwriters, a preeminent songwriter of the United States
of his era. Foster was born in Lawrenceville, a small town which later
became a neighborhood of Pittsburgh, Pennsylvania,
and grew up as the youngest of ten children in a relatively well-off family. After
only a week in college, he quit to devote himself to music, and had a little formal music
training. Despite this, he had published several songs before he was twenty years old (his
first, Open Thy Lattice Love, appeared when he was eighteen). Compôs
tb "Vaqueiro do oeste"...... click to
read more HERE. Despite little formal
music training , he published several songs before twenty years
old (his first, Open Thy Lattice Love, appeared when he was eighteen).
In 1846 he moved to Cincinnati,
Ohio and became a bookkeeper
with his brother's steamshipcompany. While living
in Cincinnati, Foster had his first hit songs, including "Oh
Susanna". Foster also achieved popularity
with several songs published in his compilation Songs of the Sable Harmonists
(1848). In 1849 he published Foster's Ethiopian Melodies, which included the hit
song Nelly Was A Lady, made famous by the Christy
Minstrels. When he began to drink heavily, his wife and daughter returned to
Pittsburgh and he died alone in misery at the age of just
37 in New York, with only 38 cents in his pocket ! (1864)
Vaqueiro do oeste
Composer(s), autor(es)= Música
(music)= Stephen Foster (
1826-1864 )
Domínio público (public domain) Letra em português (lyrics) = Bob Nelson (3ª
estrofe Maestro Ney )
gravada também por (also recorded by) = Banda
Búfalo, BobNelson
Bob
Nelson (n. 1918)= Procurando 1 nome artiwtico para ele, o diretor,
folheando uma revista de cinema americano, viu o nome Robert (Bob) Taylor, grande
galã da época. Então Costa Lima teve a gde idéia: "Bob Nelson será seu
nome!" http://www.revivendomusicas.com.br/biografias_detalhes.asp?id=71 .......
"E que maravilha aplaudir e cantar junto com o ídolo Bob Nelson, o cantor-cowboy que
estava com a corda toda! O seu grito tirolês "Olrereriiiiche !" e seu rebolado
cômico levaram a platéia às gargalhadas....."
http://www.velhosamigos.com.br/Eventos/NiverVA4/NiverVA4.comentariosdalou1.html
discografia Bob Nelson= http://www.cliquemusic.com.br/en/artists/Artists.asp?Status=DISCO&Nu_Artista=649&Nu_Disco=7964
"Bob Nelson, o mais teimoso dos cowboys...." Assim cantou Erasmo
Carlos em "A Lenda de Bob Nelson", no disco 1990, Projeto Salva Terra, de 1974.
Um countrizinho ligeiro, com Gabriel O'Meara (O Peso) na guitarra, que pela primeira, e
acreditamos que única vez, prestava homenagem ao lendário herói do rádio, do disco e do cinema dos anos
quarenta.
Retirado há muito tempo,
Bob Nelson está de volta, no cd "Vaqueiro Alegre", coletânea de seus sucessos lançada pelo selo "Revivendo", do Paraná. São 21 faixas, abrindo com o clássico Ó Suzana,
entre xotes, choros, valsas e marchas carnavalescas e outros ritmos devidamente adaptados,
que marcaram sua carreira nas rádios Tupi e Nacional. Nascido em
Campinas (SP) fez sucesso imediato com sua
versão d "Ó Suzana" feita por ele, depois de assistir ao filme "Idílio Nos
Alpes", no Cine Rink na rua Barão de Jaguara: na saída do cinema, por brincadeira
começou a cantar para 1 amigo à maneira dos pastores dos Alpes suíços do Tirol, (como
o cowboy-cantor Gene Autry já vinha fazendo). Em seguida, já em
São Paulo, adicionou o "Bob" ao nome dele (Nelson Perez, ) e na onda da guerra e do esforço oficial pró-americanos fea 1 homenagem a
1 general americano. Com o
sloogan "Vaqueiro Alegre" atuou nos filmes "Este Mundo É Um Pandeiro"
(1946), "Segura Essa Mulher" (1946), "É Com Este Que Eu Vou" (1948) e
"Estou Aí" (1949).
A partir dos anos cinqüenta trabalhou na Rádio Nacional como
burocrata, aposentando-se em 1976.
o cd Vaqueiro Alegre, além das músicas, traz na capa "livro" uma boa
biografia, letras e uma completa ficha técnica. Este lançamento é 1
caso raro no país, mas que traduz a seriedade do selo Revivendo e a importância do nosso
único e teimoso cantor-cowboy.(único até aparecer Billy
Texas). Onde encontrar= Discos
Revivendo revivendo@sul.com.br
0 (xx) 41-2533035 http://www.senhorf.com.br/sf3vs/secreta/textos/bnelson.htm
Great stuff! Anyway, if this sounds interesting, but you're not quite sure, take my
word for it: this is fun stuff! I'd heard that Brazil has a homegrown
country scene, and here's an early forerunner from the 1940s ... Naturally, little traces
of samba creep in around the edges, but sure enough this ten-gallon hatted "happy
cowboy" has genuine hillbilly fiddle, accordion, and banjo pickin' to spare, and
yodels (canto) like there's no tomorrow. Despite a decidedly nutty, goofy (bobo),
frivolous message, this musicianship is also quite good! It's kind of like
when Gene Autry or Roy Rogers did some Latin-American-tinged, polka-flavored number,
except that this is coming at it from the opposite direction. (PS - the only place
I've ever seen this available is through the label. It's worth getting in touch with
them to track this down.) http://www.slipcue.com/music/brazil/aa_albums/brazilalbums_N_01.html
Leia mais em http://www.revivendomusicas.com.br/biografias_detalhes.asp?id=71 ENTREVISTA com
Bob Nelson
Mississipi
Composer(s), autor(es)= Werner A. Theunissen
gravada também por (also recorded by) = Pussycat (based in Holland) Released in 1975 Mister Keuzekamp was replaced by WERNER THEUNISSEN (18
years old ), whom we got in touch with through an add in the paper. He was a substitute
truck driver, who offerered guitar lessons to make extra money. He taught us a lot of new
chords. Werner got inspiration for "Mississipi" in
"Massachussets" of Bee Gees, a song he liked very much.
"Mississipi" is the one Pussycat song most North Americans
have any knowledge of. http://www.geocities.com/rebjan_ca/pussycat.html
"Mississipi" made an impression in many places.... this song is evocative of that wide rolling river.
Jambalaya (Grand Texas)
Composer(s), autor(es)= Hank Williams, co-written
by Moon Mullican
- (from "Grand Texas", an ancient tune
recorded in Cajun French) (Acadians) 1952 PUBLIC DOMAIN - DOMINIO PUBLICO - This
royalty free score was generated by the Traditional Music Library On Line Tunebook
(Shareware Version). As-is copies of this score may be freely
distributed. Further info from Rod Smith (+44) 01892 667090 or WWW.RODSMITH.ORG.UK
gravada também por (also
recorded by) = Hank Williams, The Blue Ridge
Rangers (aka John Fogerty, sucking this name from "Blue Ridge
Playboys" http://www.nashvillesongwritersfoundation.com/fame/mullican.html), Hank Locklin, Roland and the Bluesworkshop, The Carpenters, Emmylou Harris,
Ace Cannon,
Jerry
Lee Lewis, Gerry & The Pacemakers,
e outros. Hank Williams Sr= He copied the musical melody from an earlier tune recorded in Cajun French
(Acadians) called
"Grand Texas" and inserted words to the song that we know as
"Jambalaya". After Hank Williams
Sr recorded his version with his new lyrics, Cajuns* (Acadians)
re-recorded it with Hank Williams' words translated into Cajun French. Cajuns now consider
the song to be one of our own songs. (By the way, Hank Williams mispronounced the word
"Bayou". Hank pronounced it as "by-oh" when the correct pronunciation
is "by-you". I guess he needed to rhyme with "me oh my oh"...)
Born in Mount Olive West, Alabama (near Georgiana) on September 17th, 1923........At
sixteen, living in Montgomery, Williams left school and began his music career in earnest.
He had made his first radio appearance on WSFA in late 1936 or early 1937, and would soon
become one of the station's most popular performers. He also worked beer joints and
regional shows with his band "The Drifting Cowboys".Lillie drove the group to venues in her station wagon and collected gate money.
By the early 40s, Hank was one of the biggest draws in the region, and had come to the
attention of several Nashville artists and music business luminaries. But his reputation
as a singer was already matched by the one he'd built for drinking and unreliability. Most
considered him an unsafe bet. an American musician whose influence has extended around the
world. On December 28, 1952, Hank Williams, Sr., gave the last
performance of his life at the Elite Cafe in Montgomery, Ala. Three days later, he
died. http://www.cajunradio.org/wordscajun3.html
(Cajuns* are an ethnic group consisting essentially
of the descendants of Acadians
who came from Nova
Scotia to Louisiana
as a result of their refusal to swear allegiance to the British Crown. The word
"Cajun" is a corruption of the French pronunciation of the word acadien,
after Acadia, the name of
their ancestral region in Nova Scotia; the name "Cajun" was applied to them by
English-speaking colonists when they settled in Louisiana).
Moon Mullican= co-writter
of Jambalaya. Colin Escott's brilliant Hank biography recalls
that Hank mentioned Moon as one of his personal favs in an interview with Country Song
Roundup magazine. Can there be a higher recommendation than that of this country
music's king? Whilst only Hank's name is listed as Jambalaya's writer, Moon got 50%
secretly as he was still under contract to King and its music publishing wing (and we know
how notoriously stingy Syd was). Acuff-Rose vs Syd Nathan, now that's a contest to savor.
In fact Moon had tired of King and tried to get out of his contract, but no golden goose
escaped Syd's clutches until the contract said so! Moon even went so far as to get the
Opry's Jim Denny to intercede on his behalf, but he got no joy from stonewall Syd.
"three finger piano player" He developed his style, he'd call it "three finger style"
(n.b. other references call it "Two finger style!"). He didn't play
very good when I hired him but he was a terrific showman fine. When the ambitious
Jimmie (You Are My Sunshine) Davis entered politics in the 40s he got Moon to organize a
band to play at his political rallies. Western Swing fiddle legend Johnny Gimble recalled
that Moon's personality got him more votes than anything else.
In 1949 he joined the cast of the "Grand Ole Opry" in Nashville,
Tennessee, where he was probably the first singing piano player to perform as a solo
act on a regular basis.
Jambalaya is a world
famous song, but most people dont even know that it was co-written by Moon Mullican.
You'll hear Moon's original recording of Jambalaya - a song that he allegedly
co-wrote with, and subsequently sold his half of to Hank Williams
Sr. http://www.acerecords.co.uk/gotrt/apr04/cdchd997.html
Moon BORN: 1909, Polk County Texas.
DEATH: 1967. Beaumont, TX, major heart attack
. In 1947
he released his version of an old Cajun tune, "New Jole Blon" (New Pretty
Blonde).
Aubrey Wilson Moon Mullican
was born in Polk County, Texas, in late March 1909. His upbringing (educação,
formação) was strictly religious & his life would be a constant struggle between
this upbringing & his "love for the Devil s Music" - Boogie Woogie
blues. His family were comfortably well off farmers.
When he Aubrey was 8, his parents bought an pump organ so that his daughters could learn church music, but
soon young Aubrey got his hands on it & played boogie & blues learned from black
workers on the family farm.
He soon left home to play piano in various clubs, sleeping by day and working evenings,
Mullican may have received his nick (Moon) for his nocturnal habits during this period.
Moon grew up listening to a diverse mixture. His earliest
influences were - as stated above - blues-playing black guitarists who were
sharecroppers on the family farm. Also Moon heard the popular blues artists of his time
such as Bessie Smith & Blind Lemon Jefferson. Recordings like "Sister Kate"
& "Old Joe Turner blues" proved this. Jimmie Rodgers was also a major
influence on Moon and the artist who inspired him most as a white blues singer. Bob Wills'
& Milton Browne's bands inspired Moon's Western Swing side and made room for Moon to
do a bluesier form of Western Swing.Moon's influences also included Cajun,bluegrass,gospel
& R&B. More= http://www.webspawner.com/users/MoonMullican/
Moon, uncredited co-writer on Hank Williams' "Jambalaya"
.... http://www.nashvillesongwritersfoundation.com/fame/mullican.html____________________________________________________________________________________
Eu acredito (I'm a
believer)
Composer(s), autor(es)= Neil Diamond (1966)
gravada também por (also
recorded by) = Neil Diamond, The
Monkees. (The 1968 version hit # 1 on the Top 40 charts for 7 weeks
Song
lyrics to I'm A Believer by Neil Diamond)
Smashmouth ( in 2001 on the Shrek Soundtrack, their version climbed to #9
on the charts....) The Oracle Band.
Neil Leslie Diamond (born January 24, 1941) is a singer/songwriter who has had a number of hits
in the 1960s, 1970s, and 1980s, and who has maintained a very loyal
following with popular live performances to this day.Diamond was born and raised in Brooklyn, attending high
school with Barbra Streisand (and singing
with her in the school choir). He learned to play guitar after receiving one as a gift on
his 16th birthday........read more clicking HERE
Festa de rodeio
Composer(s), autor(es)= Reinaldo Barriga -
César Rossini - César Augusto
gravada também por
(also recorded by) = Leandro e Leonardo
Reinaldo
Barriga =
Produziu o disco "A Revolta dos Dândis" (1987, nos estúdios RCA - SP ), para
os Engenheiros do Havaí. ARRANJOS, REGÊNCIA, BAIXO E VIOLÃO em RODA DO TEMPO. Gravou, em 2000, o Cd "A Roda do Tempo", em que interpretou as suas
canções, A Roda do tempo . É 1 dos compositores d
ANARRIÊ......::
Junto com ReinaldoBarriga, CHRYSTIAN
& RALF foram responsáveis pelos arranjos de todas as canções, e surpreendem mais uma vez pela qualidade. ... Reinaldo Teve obras gravadas por importantes nomes do mundo sertanejo como Sérgio
Reis, Leandro e Leonardo, Zezé di Camargo e Luciano e Leonardo, além de outros como
Fafá de Belém e Benito di Paula. Teve a primeira
composição gravada em 1992, "Meto o pé na porta", no LP "A vida me faz
viver" de Benito di Paula. Dois anos depois, Fafá de Belém gravou "Grão de
areia" no LP "Cantiga pra ninar meu namorado".
Em 1995, a dupla Leandro e Leonardo gravou, com
sucesso, a música "Festa de rodeio" no disco "Leandro e Leonardo - Volume 9". Nesse ano, sua composição
"Me leva no seu coração" foi gravada no CD "O samba não tem
fronteiras" do grupo de pagode Só Pra Contrariar.
Em 1996, sua composição "Baileiro" deu título ao CD de Benito di Paula que
incluiu também as músicas "Cheiro de carmim" e "Quando a saudade bate à
porta". Nesse ano, a dupla Sandy e Júnior gravou "Férias de julho" no CD
"Dig Dig Joy". Também no mesmo ano, a dupla Leandro e Leonardo gravou
"Touro de rodeio" no disco "Leandro e Leonardo - Volume 10".
Em 1997, teve gravadas as músicas "A paixão" pela dupla Zezé Di Camargo e
Luciano; "Anarriê",
no CD "Leandro e Leonardo volume 11" e "Festa de rodeio"
no CD "Em nome do amor" os dois da dupla Leandro e Leonardo. Nesse ano, Sérgio
Reis gravou "O rodeio" e "Pela estrada" no CD "Vida
violeira". No ano seguinte, sua música "Homem solitário" foi gravada no
CD "Horizonte", de Lula Barboza. Nesse ano, as músicas " Anarriê"
e "Festa de rodeio" foram relançadas no CD "Tributo a
Leandro". Em 1999, o cantor Leonardo, em
seu primeiro trabalho solo, o CD "Tempo", gravou "Só o tempo vai
dizer". Nesse ano, Reinaldo Barriga teve sua composição "Vem ficar
comigo" incluída no CD "Amigos 99" que contou com as participações de
Chitãozinho e Xororó, Leonardo e Zezé Di Camargo e Luciano. Em 2000, a música "A
roda do tempo" deu título ao CD de Lula Barboza e "Vem ficar comigo" foi
gravada por Zezé Di Camargo e Luciano no CD "Zezé Di Camargo e Luciano ao
vivo". Em 2001, a música "Falta
alguma coisa" foi lançada no CD "De volta" que marcou o retorno da dupla
Chrystian e Ralf.
César
Augusto (César
Augusto Saud Abdala)=
Aos 12 anos fez sua primeira composição: "O cravo e a rosa". Sua primeira
composição gravada foi "Fuga", feita aos 19 anos em parceria com Iranfe e
gravada pela cantora Noelita, pouco conhecida no Brasil, mas com carreira de destaque no
Japão. Em seguida, o cantor Wando gravou "Nos olhos perdidos da noite". Em
1977, uma de suas composições foi tema de abertura da novela "Cinderela 77",
interpretada por Vanusa e Ronnie Von. Em 1981, obteve o primeiro sucesso, com a
composição "Pouco a pouco", em parceria com Martinha e
gravada por Gilliard e que já foi gravada em 18 idiomas. Dando preferência ao tema
amoroso, já compôs com diversos parceiros: César Rossini, Piska, Cecílio, Nena,
Martinha, Mário Marcos e Mário Maranhão, entre outros. Em 1990 formou com
César Rossini a dupla César e César, gravando com sucesso um LP em 1990, que,
promovido pela música "Cowboy do asfalto", vendeu cerca de 100 mil cópias. No
mesmo ano, a dupla Leandro e Leonardo fez sucesso com a música "Entre tapas
e beijos", de sua autoria. Teve composições gravadas por
diversos artistas, dentre os quais Leandro e Leonardo, que gravaram "Festa de
rodeio", parceria com César Rossini e Reinaldo Barriga, "Achei
uma louca", parceria com César Rossini, "Dor de amor não tem
jeito", parceria com Piska e "Entre um gole e outro", parceria com César
Rossini e Mário Marcos. Chitãozinho e Xororó gravaram "Vem provar de mim",
parceria com Martinha, "Caro amigo", parceria com Chitãozinho, "Amigo
amante", parceria com Chitãozinho, "Queixas", com Martinha, "Nossas
divergências", com Joel Marques, "O Rio", com Mário Marcos, e outras.
Também gravaram composições suas João Mineiro e Marciano, Chrystian e Ralf, Gian e
Giovani, Dalvan, Fábio Jr. e Wando, entre outros. Como produtor, trabalhou com Leandro e
Leonardo, Zezé di Camargo e Luciano, Dalvan, Chrystian e Ralf, Joel Marques e Benito di
Paula. Seu primeiro disco produzido foi "Pense em mim", de
Leandro e Leonardo, que vendeu cerca de 3 milhões de cópias. 1998 teve gravada por
Daniel a música "A paixão acaba sempre assim", parceria com Luclas Robles e
Antônio Luiz. Foi considerado, segundo levantamento do ECAD, um dos três
compositores mais tocados em 2001.
César Rossini
= Formou com César Augusto, a dupla César e César, gravando em
1990 o primeiro LP "Cowboy do asfalto", música daquele disco fez sucesso e mais
de cem mil cópias foram vendidas..tb 1 dos compositores d Não
olhe assim,. CERVEJA, Cowboy do asfalto
......nasceu 1955 São Paulo, SP. morreu 1995 São Paulo,
SP d pancreatite.........Iniciou a carreira cantando em conjuntos como "Bigsons"
e "Express". Chegou a lançar 5 compactos como cantor em carreira individual.
Compositor versátil teve
composições gravadas entre outros, por Ronnie Von, Xuxa, Sandra de Sá e Jair Rodrigues.
Bailão de peão Composer(s), autor(es)= Maria da Paz - Nino
gravada também por
(also recorded by) = Chitãozinho
e Xororó
Maria da Paz (Maria
da Paz Souza) clique para ver =====> Maria
da Paz no Grammy Latino Los Angeles
Compositora. Cantora. Em 1978 mudou-se para São Paulo. Em 1985 foi para a Suíça onde
viveu durante cinco anos. Iniciou a carreira cantando
e compondo músicas no estilo nordestino. Na Suíça, onde viveu durante cinco anos,
gravou dois discos e apresentou um programa de música latina em uma rádio local. De
volta ao Brasil, passou a modificar seu estilo, dedicando-se mais ao gênero sertanejo
romântico. Entre seus parceiros estão Nino (parceiro mais constante) Tivas, Mário
Maranhão, Fátima Romero. Suas composições têm sido gravadas por diversos
artistas, entre os quais Roberta Miranda, João Paulo e Daniel, Donizete, Nalva
Aguiar, Tiãozinho e Alexandre, As Marcianas, Oldair José e Rouxinol e Sabiá.
Alguns de seus grandes sucessos foram "Na aba do meu chapéu",
parceria com Nino e que deu nome ao CD lançado por Chitãozinho e Xororó em 1998.
Em 1992, Chitãozinho e Xororó gravaram a composição "Brincar
de ser feliz", de sua parceria com Nino, que virou tema da novela
"Pedra sobre pedra", da Rede Globo de Televisão. A mesma dupla gravaria em
1995, também de sua autoria e Nino, "Loira gelada" e "Baião do
peão". Em 1994, lançou um disco em que gravou, além de composições de
sua autoria, as consagradas "Teu sonho não acabou", de Taiguara, e "Gosto
de maçã", de Wando. Em 1999 lançou o CD "Meu lugar", no qual interpretou
composições de sua autoria como "Coração beija-flor" e "Meu
lugar", em parceria com Fátima Romero e "De volta para você", parceria
com Jota Moreno, além de sucessos de Luiz Gonzaga como "Nem se despediu de
mim", parceria com João Silva e "Sabiá", parceria com Zé dantas.
Nino (Eronildes da Silva Ramos)= Sua primeira composição
foi feita para participar de um festival em Campina Grande. "Anseios", nome da
música que tirou o segundo lugar no festival. Sua primeira música gravada foi
"Estou amando um homem", feita em parceria com Mário Maranhão e gravada por
Nelson Ned. ???????? Em 1992, Chitãozinho e Xororó gravaram a composição
"Brincar de ser feliz", com Maria da Paz, que virou tema da novela "Pedra
sobre pedra", da Rede Globo de Televisão. A mesma dupla gravaria em 1995, também de
sua autoria e Maria da Paz, "Loira gelada" e "Baião do peão". Em
1998, uma parceria com Maria da Paz, "Na aba do meu chapéu", deu nome ao disco
de Chitãozinho e Xororó daquele ano. Para ele, a inspiração pode vir a qualquer hora,
em sonho, debaixo do chuveiro ou mesmo no hospital. Sofreu um acidente de carro e no tempo
em que esteve internado, compôs a música "Paciência". Entre seus parceiros
estão, Mário Maranhão, Maria da Paz, Tivas, Jeferson Farias, Fátima Romero e Zequinha
Rodrigues. Tem composições gravadas entre outros por Chitãozinho e Xororó, Sérgio
Reis, Roberta Miranda, Rouxinol e Sabiá e Gilberto e Gilmar.
____________________________________________________________________________________Peão apaixonado Composer(s), autor(es)= Pinochio (Conforme site
"CliqueMusic)
gravada também por
(also recorded by) = Rio
Negro e Solimões, daniel http://www.dicionariompb.com.br/detalhe.asp?nome=Pinochio&tabela=T_FORM_A&qdetalhe=art
Pinochio (Juvenil José de Lacerda) Compositor.
Produtor.Instrumentista. Arranjador.
Acordeonista. Em 1986, produziu o terceiro LP
das Irmãs Barbosa, gravado pela Chantecler. Em 1997, fez os arranjos e regências para o
disco da dupla Rionegro e Solimões no qual também tocou acordeom, sendo também de sua
autoria um dos maiores sucessos do disco, a composição "Peão apaixonado". Em
1998, fez os arranjos para sete faixas do CD da mesma dupla naquele ano e participou das
gravações ao acordeom. Compôs também as principais músicas do disco, como "A
gente se entrega", "Frio da madrugada" e "De São Paulo a
Belém", esta em parceria com Nilma e que se tornou um grande sucesso, alavancando a
carreira da dupla. Em 2000, participou novamente do disco da dupla Rionegro e Solimões
fazendo arranjos para oito faixas e tocando alternadamente violão, teclado e acordeom em
diferentes faixas. Compôs ainda para o mesmo disco as músicas "Casa cheia",
"Orvalho da saudade", "Ô de casa, ô de fora" e "Ela não
veio". Em 2002, produziu o 12º disco da dupla Gian e Giovani.
Outras composições= A gente se entrega, De São
Paulo a Belém (c/ Nilma), Frio da madrugada, Peão apaixonado
____________________________________________________________________________________
r F - A Revista do Rock 11 O cantor e o peão
Composer(s), autor(es)= Letra (lyrics) = Direitos reservados - Música
(music)= Direitos reservados ? ? (Alguém pode nos dizer o
nome? (Can someone tell me the name?)
gravada também por
(also recorded by) = Sérgio Reis,
Lucas & Matheus
____________________________________________________________________________________
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The following songs were not
released by Maestro Ney. (Músicas não lançadas por Maestro Ney). They was still
recorded by not released to public. (Foram até gravadas mas não lançadas). Maestro Ney
changed his mind and he made a substitution for other songs:
Looking out my back door Composer(s), autor(es)= John C Fogerty gravada também por (also recorded by) = Creedance Clearwater Revival 05 Alô Marilu
(Hello Mary Lou) Composer(s), autor(es)= John C Fogerty - Versão Maestro Ney (Johnny Cowboy)
gravada também por
(also recorded by) = Creedance
Clearwater Revival
John Fogerty dominated CCR with his prodigious musical talent and terrific voice. (Yeah
!!!) On their first six albums, he did almost all = vocals, played lead guitar, wrote all
of their songs, arranged, produced each cut, managed the band, etc. (Hey you ! What's the
problem?) Envious, the other members demanded more action in the
game...... (OK OK boys) This resulted in the sharing of all= songwriting,
singing and producing credits for the album "Mardi Gras". (Satisfied,
guys???) Mmnmn..... Unfortunately the album become a crash,
(an commercial failure) and the group disbanded shortly afterwards, in late 1972.......
humnmnmn. Well, let's try
difrent= Begining solo career, in 1973 he released the LP "The Blue Ridge
Rangers" on which he played all instruments and made all alone......It's an album of
country cover tunes, but unfortunately it also become
a crash (???) Still today he is searching his way.....
(Did you see what you made, boys ??? : ( )
12 Amarillo
Composer(s), autor(es)= Letra (lyrics) = Neil Sedaka
- Música (music)= Howard Greenfield
gravada também por
(also recorded by) = Neil Sedaka, (Ângelo Máximo
in portuguese "Nunca mais eu vou partir")
Neil Sedaka golden decade was from 1956
until 1966. He wrote hit songs for Connie Francis (Stupid Cupid, among
others), And then in 1958 he
signed with RCA, and scored an unbroken string of hits that includes some of the era's
most memorable songs: The Diary, I Go Ape, Oh! Carol, etc
by the time Sedaka was sixteen, Artur Rubinstein voted him one of the finest classical
pianists in New York City high schools. After
having been introduced to a young neighbor, Howard Greenfield, (by Greenfield's mother),
they began a permanent successful songwriting partnership.
in 1958, at the age of eighteen, when Sedaka was catapulted
into stardom after Connie Francis recorded his "Stupid Cupid."
As a result of these hits, Sedaka was able to sign a contract with RCA
as a writer and performer of his own material. Sedaka soon recorded chart toppers
"The Diary," "Oh! Carol,"
the "British
Invasion" by the Beatles and the Rolling Stones in the United States, when the music
scene began to change and his record sales dwindled
Sedaka also
helped to launch the career of the Captain and Tennille with their version of his
"Love Will Keep Us Together," which won a Grammy Award .....
____________________________________________________________________________________13 Versos d rodeio
Letra (lyrics) = Direitos reservados - Música (music)=
Direitos reservados ? ? (Alguém pode nos dizer o nome? (Can someone
tell me the name?)
gravada também por
(also recorded by) = ?
14 Bat Masterson
Letra (lyrics) = Música (music)= Havens Wray
1958 (BMI) [possible pseudonym of David D. Rose -
Bart Corwin (BMI) Letra em
português= Edson Borges
http://www.classicthemes.com/50sTVThemes/themePages/batMasterson.html
gravada também por
(also recorded by) = Carlos
Gonzaga, jo, Gene Barry, Al Caiola Guitar and Orchestra , Altamiro Carrilho e sua
Bandinha, etc
1997 Publisher: EMI/Unart Catalog, Inc. (BMI) of New York, NY
____________________________________________________________________________________15 Dueling banjos (Duelo d banjos (
Composer(s), autor(es)= Arthur Smith
gravada também por
(also recorded by) = the
drifters
Duelling Banjos, the theme tune from the film Deliverance, proved to
be one of the unlikeliest hits of the '70s when it reached No 2 on the US pop charts in
early 1973. The banjo and guitar which traded licks so memorably were played by
session players Eric Weissberg and Steve Mandell respectively, and these two
gents taught the actors to mime the parts on film. The so-called film soundtrack album
which was released was, in fact, an old LP entitled "New Dimensions in Banjo and
Bluegrass" by Weissberg and Marshall Brickman. The guitarist on much of
that album was future Byrd Clarence White. The hit single was the only tune
on the album on which Steve Mandell played. The earlier album had included a tune entitled
"End Of The Dream", which was very similar indeed to "Dueling Banjos",
which was presumed to be a traditional tune, and was credited as such. Things got
even more difficult when Arthur Smith, who had had a 1945 million seller with the
famous "Guitar Boogie", pointed out that he had in fact written and recorded an
almost identical tune, which he called "Feuding Banjos", in 1955. Normally
the authorship of a bluegrass banjo tune wouldn't create much fuss, but Dueling Banjos
sold in excess of a million copies. Smith eventually won a lawsuit over the issue, and the
composer of ["Feuding Banjos"] and the composer of "Dueling Banjos"
are now officially one and the same man. - [Arthur Smith]
____________________________________________________________________________________16 Blowing in the wind.
Composer(s), autor(es)= Bob Dylan
gravada também por
(also recorded by) = Bob
Dylan Bob Dylan:
For many of you Bob Dylan may have been your first prophet. Thousands of books have been
written about Dylan and now he has written his own. He never wanted to change the world,
he says, he just wanted a house in the suburbs. Next on Counterpoint Bob Dylan
maybe the greatest artist of our time? Burning Man
Author Brian Doherty makes the annual trip to Burning Man, a cult art
experience in the American
desert. In the fall of 1961, Dylan's legend began to spread beyond folk
circles and into the world at large after critic Robert Shelton saw him perform at Gerde's
Folk City and raved in the New York Times that he was "bursting at the seams with
talent." A month later, Columbia Records executive John Hammond signed Dylan to a
recording contract, and the young singer-songwriter began selecting material for his
eponymous debut album. Not yet fully confident in his own songwriting abilities, he cut
only two original numbers, rounding out the collection with traditional folk tunes and
songs by blues singers like Blind Lemon Jefferson and Bukka White. The result (released
early in 1962) was an often haunting, death-obsessed record that, culminating in Dylan's
gravel-voiced reading of "See That My Grave Is Kept Clean," sounded as much like
the work of an aging black blues man as a twenty-one-year-old Jewish folksinger from
Minnesota.
Promising as that first album was, it didn't prepare anyone for the masterpiece that came
next. The Freewheelin' Bob Dylan, released in 1963, contained two of the sixties' most
durable folk anthems, "Blowin' in the Wind" and "A Hard Rain's A-Gonna
Fall," the breathtaking ballads "Girl From the North Country" and
"Don't Think Twice, It's All Right," and nine other originals that marked the
emergence of the most distinctive and poetic voice in the history of American popular
music. Cementing his reputation was Peter, Paul, and Mary's folksy cover of "Blowin'
in the Wind," which went to No. 2 on the pop singles chart.
Dylan's next album, The Times They Are A-Changin', provided more of the same: the title
cut and "The Lonesome Death of Hattie Carroll" were the standout protest songs,
while "Boots of Spanish Leather" was his saddest and most graceful love song so
far. At the same time, Dylan seemed to be tiring of his position at the forefront of the
protest movement: in "Restless Farewell," the record's last song, he concluded
that he'd "bid farewell and not give a damn." Sure enough, his next album,
pointedly titled Another Side of Bob Dylan, was his most introspective and least topical
to date, and its finale, "It Ain't Me Babe," was an even more explicit goodbye
to the folk movement he had helped reinvigorate.
The most revealing song on Another Side was "Ballad in Plain D," which painted a
harsh, one-sided, blow-by-blow picture of Dylan's breakup with his longtime girlfriend
Suze Rotolo, who can be seen on his arm in happier days on the Freewheelin' album cover.
(More than twenty years later, Dylan said this was the one song in his catalogue that he
wished he hadn't released.) Shortly after his split with Rotolo, he became involved with
the world's most famous folk diva, Joan Baez. The relationship proved beneficial for them
both, as Baez raided Dylan's unreleased material for her albums and introduced him to
thousands of fans at her concerts.
At the same time, Dylan was itching to move beyond the acoustic musical constraints the
folk movement imposed. Early in 1965, he went into the studio with a nine piece band and
recorded Bringing It All Back Home, a half-electric, half-acoustic album of complex,
incisive, biting songs like "Subterranean Homesick Blues" (featuring the
trademark line, "You don't need a weatherman to know which way the wind blows"),
"Mr. Tambourine Man," and "It's All Over Now, Baby Blue." A week after
Dylan cut Bringing It All Back Home, the Byrds electrified his acoustic "Tambourine
Man," and by the time it reached the top of the charts the term "folk-rock"
had become part of the contemporary lexicon. Dylan's own transition from folk troubadour to rock
bard was not quite so smooth: debuting his new material with the Paul Butterfield Blues
Band at the 1965 Newport Folk Festival, he was famously booed off the stage. Such
resistance notwithstanding, Dylan's fame had long since eclipsed Baez's, and their
relationship was starting to crumble. (D.A. Pennebaker's documentary Don't Look Back was
filmed during this period, and it clearly shows the tension between Dylan and Baez.) He
had begun to see Sara Lowndes, a friend of his manager Albert Grossman's wife, and by the
end of the year would marry her. In the meantime, he recorded and released the album
Highway 61 Revisited, which contained the monumental single "Like a Rolling
Stone." Clocking in at more than six minutes, it was the longest, angriest song ever
released on a 45, and it reached No. 2 on the Billboard singles chart.
____________________________________________________________________________________17 My
bonnie lies over the ocean 1881
Composer(s), autor(es)= Música (music)= H. J. Fulmer (real name= Charles E. Pratt, Ireland)
-
Letra (lyrics) = J. T. Wood
-
gravada também por
(also recorded by) = John McDermott, The Watersons on their album For Pence And Spicy
Ale:
e outros
Originally a Scottish Folk Song,. The composer*s real name is Charles E.
Pratt. It was published in 1881 and shortly thereafter was heard on many college campuses.
It was perfect for community singing with children as well as adults and barbershop
singers. http://www.directquest.com/Songs/MyBonnie.htm Record companies have to pay royalties to the original artists when they put out
a cover album, so they usually try to take up the slack with a few originals. and may also select to cover a traditional song, that isn't subject to royalties.
This old favorite was originally, no doubt, a Scottish folk song. There doesn't
appear to be any record of its age, composers or its publication, although in the late
1870s a number of people were requesting at the music stores a certain anonymous song
bearing this title. (...) The story has it that a certain music publisher, seeking to
capitalize on this ready-made demand, persuaded composer Charles E. Pratt to produce this
mysterious song, and to write it in such a manner that people would feel inclined to join
in the singing. Although it is not known, it is conceivable that Pratt may have had access
to the missing Scottish folk song, but in any case he did produce "My Bonnie Lies
Over the Ocean" under the pseudonyms J.T. Wood (words) and H.J. Fulmer (music).
http://www.ac-nantes.fr/peda/disc/lv/anglais/bonnie.htm
it appears that this may have been
dedicated to Bonnie George (James) Campbell who died in the Battle of Glenlivet in 1564.
"My Barney lies over the ocean", 1919, in the Levy sheet
music collection could have been inspired by either.
A Grand Ole Opry star as part of the "Bailes Brothers" during the 1940s, Walter
Bailes died Monday morning at the age of 80. After leaving the Opry in 1946,
Walter and brother John went to KWKH in Shreveport, Louisiana, where they laid the
foundation for the now-famous "Louisiana
Hayride" radio show. Bailes also was a good songwriter, who penned "Dust On The
Bible" for Kitty Wells, as well as tunes for Wilma Lee and Stoney
Cooper and Carl
and Pearl Butler. Walter became a gospel minister in 1947, and he spent the rest of
his life blending his music and preaching into a full-time ministry.
Walter Bailes, of renowned country
harmony act the Bailes Brothers, died Monday (Nov. 27) in Sevierville, Tenn., at the age
of 80. A talented writer of both secular and sacred songs, he penned the Bailes Brothers'
best known works, "Dust on the Bible," later recorded by Kitty Wells, and
"Give Mother My Crown," later covered by Flatt & Scruggs. Born and raised in
West Virginia, Walter and his brothers Kyle, John and Homer seldom all worked together at
once, instead pairing off for performances. Walter and John were stars of Nashville's WSM
Grand Ole Opry in the mid-'40s and in 1946 went to KWKH in Shreveport, La., where they
helped initiate the Louisiana Hayride and gave support to the fledging career of
Hank Williams. Walter joined the ministry a year later and was replaced by Homer in the
duo. Walter pastored evangelical churches and preached at numerous revivals in the U.S.
and overseas. Walter and John re-formed as a gospel duo in 1953 to record for King, and
Walter later recorded solo albums on his own White Dove label. In later years, various
combinations of the brothers got together for occasional recordings and appearances. Until
this summer, Walter was the host of a gospel show on WSM. A memorial service will be at 2
p.m. today (Nov. 30) at the Atchley Funeral Home in Sevierville.